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7. Then, create a new layer called anim and move it underneath the actions layer. On this layer, create a tweening animation of your message fading in and out (or scaling up and down, and so on). Start the Motion Tween on frame 2 of the anim layer, underneath the start label of the actions layer. You ll need to make the message a Graphic symbol of its own in order to tween the alpha state. Add enough frames and keyframes to cycle this message animation twice. The very last frame of the animation should have a frame action (on the actions layer) gotoAndStop(1);. When you are finished with this step, your Movie Clip timeline should resemble the one shown in Figure 21-4.

The Name Manager is useful, but it has a shortcoming: It doesn t let you display the list of names in a worksheet range so you can view or print them. Such a feat is possible, but you need to look beyond the Name Manager. To create a list of names in a worksheet, first move the cell pointer to an empty area of your worksheet the list is created at the active cell position and overwrites any information at that location. Press F3 to display the Paste Name dialog box, which lists all the defined names. Then click the Paste List button. Excel creates a list of all names in the workbook and their corresponding addresses.

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involved, no greater gas ampli cation is possible so that any further increases in voltage have little effect on the size of the pulse of current. This is the so-called Geiger region. A detector operating in this region is called a Geiger counter, or Geiger-Mueller counter, after its early developers. In the Geiger region, not only is the size of the current pulse almost independent of small changes in voltage, but the size of the pulse is also independent of the amount of ionization produced by the incoming radiation. In other words, in the Geiger region the current produced by a charged particle or photon is large compared to that produced in the proportional region. The current is independent of uctuations in voltage, and the size of each pulse of current is dependent on the characteristic of the detector itself rather than of the incoming particle or photon.

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nowing something about how Photoshop relies on its Preferences files is akin to knowing something about what s under the hood of your car. If you don t know how to check the oil and water level, sooner or later the car will grind to a halt and you will have to call a mechanic. So it is with Photoshop if you don t know how Photoshop makes use of the Preferences (Prefs) or where it stores them, when the program starts to behave erratically or refuses to launch you will have to call an expert to resolve the problem. The hacks in this chapter show you how to handle Prefs without recourse to expensive experts. In contrast to Prefs, which tend to lurk behind the scenes, documents are in front of you practically all the time. You are constantly creating, opening, manipulating, and saving documents. It s the staple diet of any Photoshop work. Overall, you can get by without delving too deeply into their backgrounds. However, if you want to increase your productivity and streamline your workflow, the hacks on documents in this chapter can help you.

Listing 15-1: ch15_feed_filter.py (Part 1 of 4)

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